Tag Archives: controlled folly

Chuck’s Place: Controlled Folly to Temper the Spirit

Temper that spirit, you gluttonous bee, and control your folly!
– Photo by Jan Ketchel

We live in the most spirited of times! Exhilaration is thrilling yet energetically exhausting, and as current events highlight, potentially perilous. Conserving and accruing energy is key to longevity and full self-realization in human form.

The Shamans of Ancient Mexico developed a practice they called controlled folly to conserve energy, through tempering the human spirit. The human spirit is actually the ego-Soul portion of one’s greater SOUL. The two are connected, but it is the ego-Soul that lives and acts upon the world stage in our current sojourn in human form. It is the ego-Soul that grasps at life and wants more. Our greater SOUL lives as our silent partner, in infinity, the more comprehensive context of the human life we are currently in.

Controlled folly is engaging one’s ego-Soul in one’s chosen path of heart in this world, with great earnestness, like a true warrior and yet, having NO attachment to the outcome  of one’s actions. This detached edge is possible because one never loses touch with the fuller backdrop of one’s surrounding life in infinity.

The Shamans cite three essential facts, gifts of wisdom from the greater SOUL, as the foundation of controlled folly: (1) All life in human form is transitory and terminal, hence, (2) regardless of the role we play, or story we live, all roads lead to the exact same ending: death in human form, therefore, (3) the greater backdrop of all human life is our full transition into infinity, the ultimate destination of our definitive journey.

Shamans see, in some form, their energetic interconnectedness with everything, glimpses of infinity. Shamans read their journeys in dreaming, and the synchronicities in everyday life, as revelations and promptings from their greater SOUL to wake up to the fuller storyline of their ongoing life in infinity. By inviting the full awareness of ultimate death into their current incarnation, they transform an ordinary life into a magical life.

From this seemingly morbid perspective an individual can recognize that indeed, all the world’s a stage. And, as Carlos Castaneda once recommended, be the best actor you can be in the role you’ve chosen during your present time on the human world stage. Live the life you’ve chosen to the fullest, yet don’t get too attached to its significance; it’s not the main event or the only event.

Practicing controlled folly does not absent us from expressing human emotion. What great actor has not fully lived and expressed the true emotions of their role. Nonetheless, when the show is over the actor disengages from the role and shifts to their true human identity.

Controlled folly allows us to live with passion while knowing that, in the ultimate sense, none of it really matters. Thus, we can simultaneously be incredibly engaged in all that life offers, with utter seriousness, yet ultimately, be completely detached. This dual focus is how we temper our passionate spirit and how we are able to let go when what we have fought for doesn’t come to pass.

Similar to the message of the Bhagavad Gita, Carlos deemphasized the morality of the role you play. No one role is more important than another. To judge harshly another’s role is to get caught in the self-importance of overvaluing the particular play you are in. All roles are parts of the play, angels and demons alike, creating a complete cast. To remember this is how to temper our own extreme emotional reactions to the dance of now, that which is taking place upon our world stage. All spirits are equal actors in the play, and yes, Marianne Williamson, though some are dark psychic forces, they nonetheless have critical parts in the play.

Life in this world is extremely important, why live it as a failed play? But at the same time, it’s all relative when contrasted with forever, the greater reality we will all return to when this play is done. Nonetheless, this is our play now, our moment in time to experience this drama to the fullest, and that matters; and yet, at the same time, it doesn’t. This moment is assured its place in infinity’s ultimate historical record, the Akashic record. It will never be erased, no fake news in infinity’s library. Nonetheless, it is only one moment among infinite moments.

The significance of the play we are currently in is the completion of Kali Yuga, the utter destruction and disintegration of civilization’s  highest achievements. But what is the reality that lies beneath civilization’s false self? Freud really did call it accurately when he called civilization a sublimated id. What has emerged from the depths of the collective human shadow now is the repressed ancient rivalries and conundrums that have never been resolved in our revolving human dream. We’ve all acted in plays together before; this is just one more show. And yet we have an opportunity to finally resolve some things that we’ve left hanging from previous lives.

Where, for instance, on the globe is the core center of volatile unrest? In the lands of the Middle East, of course, where ancient issues have yet to be resolved. Who’s entitled to the land? How does one protect what they feel is their’s? Simple questions, ancient, never-solved dilemmas. We all have them.

And yet, these ancient core dilemmas are impacting the safety of the globe, and they are being mirrored in the dominant politics and daily atrocities in most countries throughout the world, impacting us all. We are coming frightfully close to absolute rulers, outright racism, nuclear winter, concentration camps, and flirtations with final solutions. We’ve lost our perspective on the greater reality we all face.

As the Shamans codified, it is our awareness of death that elevates our time in this world from ordinary life to magical power. Why settle for a redundant, mediocre play when we can elevate our time here to a Tony award performance! Why not let all the actors stand on center stage to deliver their best performances? Why settle for world neurosis as the best compromised dream we can deliver? There is so much more.

Woodstock 50 is cancelled, no time for hallucinogenic reruns, but alas, Marianne Williamson has entered center stage! She is indeed the ticket to call out the dark side of the force. The play we are now in would best be played by such a rivalry; Donald Trump requires such an opponent as Marianne Williamson. He gets bored, and rightfully so, without a worthy opponent to challenge him.

We must all call upon controlled folly here to temper the spirit. We are all here for such a brief moment, such a brief appearance on the world stage. At the end of the day, the curtain falls and it’s the end of an era; this play is over. All of us will exit the stage, where we will shake hands with our fellow cast members, all rivalries dissolved. Only self-importance, the seed of reincarnation, will keep us replaying the same drama.

Controlled folly offers us the opportunity to truly advance the issues that have thwarted humankind for eons. Imagine Marianne’s Department of Peace. Imagine hugs in the Middle East. Yes, John, we can still Imagine, but with the edge of controlled folly we can do it with no attachment to the outcome.

Live the dream, intend it forward, and when it’s time to go, exit the stage, in love with it all.

Don’t hold back,

Chuck